DOWNLOAD STOCKHAUSEN MIKROPHONIE

In Mikrophonie I the sound processing and the tape montage, which up to now took place exclusively during long working hours in the studio for electronic music, is carried out simultaneously with the making of the sounds and the result can be heard at once. The electrical output of the Hammond organ is also channeled through all four modulators. The work combines the electronically produced sounds of the Hammond organ with vocal sounds from the choir through ring modulation to produce transformations that in many places achieve distortions evoking wizardry Frisius , Stockhausen himself drew the stand for this tam-tam; this instrument that would prove so important in several compositions that were to follow. That way any source of sounds traditional instruments, sound events of any nature can be integrated in a sound composition which seeks coherence. The tam-tam used in Momente and Mikrophonie I. Stockhausen , on the other hand, forms a picture of what he wants, sets rules and works with the smallest details as well as with the overall plan.

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The groups are sub-divided into groups of 3, and each group has one microphone. Mikrophonie I had its premiere on the occasion of the music festival Reconnaissance des musiques modernes in Brussels on 9th December Previous work Kurzwellen Karlheinz Stockhausen Kurzwellen.

Mikrophonie (Stockhausen) - Wikipedia

Other types of instructions include "sing melody groups around a low D sharp in a tonal space limited by your highest and lowest note", or "sing crescendos and decrescendos, synchronously, quick tone-groups with prescribed numbers of notes, with long pauses of different length between the groups". The output of the modulators then rush on to potentiometers hooked up to four loud-speaker groups, which are mounted on the stage behind the choir, so that the modulated sounds out of the speakers mix with the original sounds of the choir and the Hammond organ.

You will regularly receive information about new stickhausen with free downloads, current prize games and news about our composers. Organ, Soprano 1, Soprano 2, Bass 1 and Bass 2. Electronic and electroacoustic music.

Turning the potentiometers up and down influences the ratio of altered and original sound in the end mixture presented to the listeners.

List of compositions by Karlheinz Stockhausen Category: If you listen carefully you may even hear frogs, bears, wolves, whales, parrots, crickets etcetera speaking through the tam-tam! I Singend II Streichtoene.

II Knisternd - Gackernd. Other Structures only have 1 group's instructions, but Tutti has both groups'. The filters were to be used to cut off sound at either end of the frequency bandwidth, and the potentiometers controlled the volume of sound from the microphones.

The work combines the electronically produced sounds of the Hammond organ with vocal sounds from the choir through ring modulation to produce transformations that in many places achieve distortions evoking wizardry Frisius Exciting is one word that comes to mind, since this piece so much is an investigation into sounds, close-up; microscopic sounds, magnified and altered in ways described above.

Stockhausen: Sounds in Space: MIKROPHONIE I

This mixture of the olden and the new, of modern electronics and old traditions, resulted in some of the most inspiring, beautiful electronic music I have ever heard to date. Launch Tabs Welcome Works: With respect to the preceding structure, the following one should be similar, different or opposite; a relationship should be constant, or increase or decrease, and the following structure, which usually begins while the preceding one is still playing, should support, be neutral to, or destroy the preceding one.

At the Todai-Ji temple in Nara, Japan You can rest assured in your concert seat that a tutti appears where it has always appeared, that no surprises will bring you out of your comfort; you can sing right along if you wish; everything is very, very familiar.

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Karlheinz Stockhausen Table of contents: Stockhausen uses the term "microphony" here as the auditory analog to "microscopy" in the optical realm. In Mikrophonie I two percussionists play a large tam-tam with a variety of implements.

II Prellend - Knatternd Ratternd. mikropuonie

Stockhausen is a master of exciting electronic events, overflowing with ideas that shape innumerable sounding electronic occurrences. As indicated above, tape recordings from a number of countries were used according to the score.

II Klatschend - Heulend - Bellend. The sounds of the singers and the sounds from the organ then modulate each other in the ring modulators.

Karlheinz Stockhausen: Mikrophonie I

Stockhausen at one time said something to the effect that one should devote one day a year to old music; the rest of the time indulge oneself in the new, in the present and the future. Top half of Structure "Tutti ", page 2, showing 1 group only.

Mikrophonie I Catalogue number: The durations of these moments are made according to the Fibonacci series Frisius At about the same time good work was being done at the San Francisco Tape Music Mikrophohiebut composers there never reached the heights that Stockhausen alone achieved, even though for example Pauline OliverosMorton Subotnick and Ramon Sender composed some pretty far out stuff too.