Guitar dominated and guitar driven instrumental jazz rock is the chosen turf for Tohpati, and his take on it is fairly energetic at heart, and of the kind that will intrigue those with an interest in technically skilled guitarists who showcase those abilities within defined frameworks. The first 20 seconds of "Red Mask" have an isolated violin I think sound, but when it vanishes, the fusion trio bring back their power and elegance, so once again, a new piece is being built up with a great communion between guitar, bass and drums. So take a deep breath and prepare yourself to receive the richness of "Run", which starts with some seconds of native people noises, and later a rock oriented track appears with delicious drums and of course the great chat between the strings. From here we get a sort of bridge to the solo section where the drums and bass slow down, Wackerman focusing on light, but powerful grooves while Tohpati goes at it with with strange guitar effects before moving towards a solo full of really cool, uncoventional phrasing and well-placed insertion of effects, all the while Wackerman and Haslip slowly build the rhythm section towards an intense climax. To listen to this song is quite an adventure, like a rollercoaster of sounds that bring nothing more than satisfaction; you have no idea of how much I enjoy this particular song. Zentuary HD by Dewa Budjana feat. 
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Indonesian piano icon Dwiki Dharmawan's latest album. Of course, the music is led by Tohpati, who is the composer and leader, so guitar will be the instrument that will catch your attention the most, though is impossible to miss the great bass and drums section of those two monsters.
TOHPATI BERTIGA discography and reviews
Tohpati closes the album off in a personal way, presenting "Midnight Rain" as a guitar only composition. The bluesy rgeat over a canvas of serene chord changes, blips, harmonics, and arpeggiator like guitar effects make this a track that looks both towards the past and the future simultaneously.
The first baby of the album is entitled "Rahwana", which happens to be the longest track of the album. All new compositions from Tohpati test the mettle of this trio, and they are most certainly up to the task.
Tohpati Bertiga - Riot (2012)
This piece is characterized by it's ethnic percussion and slow and steady pace which perfectly augments an extremely dark eastern melody that is made absolutely haunting through reverb and effects. Purchasable with gift card. Review by Progulator Prog Reviewer. Besides the slower rhythm, the atmosphere is darker for over two minutes; later the guys offer a funky style which made me move my head and feel yohpati rhythm.
Tohpati Bertiga - Riot mp3 flac download
Studio Album, 3. A kind of intermission comes next with the short "Savana", a track with a peaceful feeling, a relaxing moment after the jazz fusion vertigo. Guitar dominated and guitar driven instrumental jazz rock is the chosen turf for Tohpati, and his take on treat is fairly energetic at heart, and of the kind that will intrigue those bertjga an interest in technically skilled guitarists who showcase those abilities within defined frameworks.
The return to the main theme comes at just the right time and the band carries us to the end of a great album opener.
TOHPATI BERTIGA
Later on, "Supernatural" offers us one of the more complex servings from the Indonesian guitar legend and world class rhythm duo, spinning time-signature changes around left and right and delivering everything from ethnic-tinged fusion runs to chunky prog-metal-esque riffing. If you like Riot, you may also like: So take a deep breath and prepare yourself to receive the richness of "Run", which starts with some seconds of native people noises, and later a rock oriented track appears with delicious drums and of course the great chat between the strings.
After a couple of minutes the rhythm slows down and seems that a mid-tempo jam appears, with a gohpati providing robotic-like fedl in some passages, and clean fast solos grear others. The first seconds are odd, a tense background appears while some strange, native vocals chant.
Bandcamp Album of the Day Sep 25, Surely this session with rhythm masters Chad Wackman and Jimmy Haslip features some of the coolest moments of Tohpati's career, and undoubtedly Tohpati's composition, musicianship, and performance on Tribal Dance shows him to be of the same high caliber of the aforementioned jazz giants.
Next one is "Tribal Dance" is a 7-minute track that does not have a lineal structure, which makes it interesting, and which makes the music flowing in spite of the different mini- passages it brings.
From here we get a sort of bridge to the solo section where the drums and bass slow down, Wackerman focusing on light, but powerful grooves while Tohpati goes at it with with strange guitar effects before moving towards a solo full of really cool, uncoventional phrasing and well-placed insertion of effects, all the while Wackerman and Haslip slowly build the rhythm section towards an intense climax.
You know your album's no joke when it features such world class players like Chad Wackerman and Jimmy Haslip; Tohpati's recent release, "Tribal Dance," is no exception. Showing that he is just as "at home" with rock and even funk settings as he is with jazz and fusion, this album further cements his rightful place among the highest echelon of today's guitar giants.
We have passages and sequences of a more technical oriented nature, but never as the sole dominant aspect of a composition, they are always explored within a broader context. Yazz Ahmed guests and we feature "The Music of" tribute to French musical legends. Tohpati go to album. The middle section does cause me a bit of mixed-feelings though when a funky riff seems to come out of nowhere, feeling a bit out of place. The first 20 seconds of "Red Mask" have an isolated violin I think sound, but when it vanishes, the fusion trio bring back their power and elegance, so once again, a new piece is being built up with a great communion between guitar, bass and drums.
Or browse results titled:. This great song does not really have one single style, it is a mixture of different offerings in just 5 minutes, which speaks about the great compositional skills of Tohpati.
The title track, "Tribal Dance," features some spacey ambient chords interspersed with light jazzy sections where Wackerman can really throw down some delicate playing, but the true highlight of the song is Jimmy Haslip's beautiful solo that's full of flair.
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